A fantastic day on learning how to use the figures for Lieder, Oratoria and Opera.

Two classical well know singers and EVT teachers wil present this day and adress alL the questions which might come up how to sing classical repertoire. Thsi will be a real training day, where we triain figures for vibrato, legato, focus, range, mezza di voce etc.. We wil sing repertoire from Lieder composers as well as Oratoria repertoire and we will end with Opera in different styles. All questions we be answered and the main focus will be on singing and training.

The Complete Estill Course
Estill Voice Training is craft for singers, like fingering for the pianist.

Practice independent voice motor control. Understand advanced anatomy and how the voice physically and acoustically functions. Control the components that change voice quality through kinesthetic perception and muscle training.

Emphasis on aesthetic freedom and vocal safety across all styles and genres – from rock to opera, jazz to belting!

Level One – Figures for Voice Control
In Level One, participants will accomplish an advanced understanding of vocal anatomy and the physiology of the larynx. The students will be able to increase their kinesthetic perception and maximize their control over their “reed”-instrument. The scientifically researched figures or muscle training exercises allow the voice user to individually monitor, control and adjust all researched muscular structures involved in sound production and therefore safely produce any style or genre specific voice quality.
Each participant will receive individual feedback and monitoring to ensure that all concepts are understood and applied correctly. From the start, the emphasis will be on singing and speaking, both individually and as a group to reinforce technical ideas and ensure correct training of muscle memory.

Level Two – Figure Combinations for Six Voice Qualities
During Level Two, participants will analyze and develop mastery of 6 archetype vocal qualities including Speech, Falsetto, Twang (nasal and oral), Sob, Opera and Belting. Additionally, contemporary, classical, and music theatre voice qualities will be studied in order to create a better understanding of how the work can be applied on stage, in the studio and in rehearsals. The client will be supplied with a toolbox of muscular skills, anatomically correct vocabulary and the confidence that anyone can train the muscles of their voice in order to achieve any aesthetic goal.
Finally, students will be able to participate in a master class in order to apply the tools learnt in a group/performance environment. Singers may present pieces of their own choosing, ideally with problems to be solved. There is no pre-requisite nor audition for this course.

For more information please visit: www.TheVoiceGym.com.au
 

This workshop provides an introduction to the Estill Model and will cover: 

Basic laryngeal and vocal tract anatomy

Introduction to Estill Voice Qualities and how they are produced

Lunch is included

This workshop is suitable for anyone who is interested in learning more about how the voice works and gives an overview of the vocal tract set-up for different voice qualities as defined by Estill.

Healthy Belting

Jo Estill’s vocal research has examined the anatomy of the singing voice, and broken it down into 13 elements that influence the vocal quality  and power of the voice. By understanding how to voluntarily  adjust these elements you can combine them to create different voice qualities.

This workshops introduces you to the Estill Voice Figures, or exercises, that are critical in creating the Belt Quality in a healthy, unstrained manner. The morning session dwells mostly on the elements that will free your vocal folds  from strain. In the afternoon we’ll concentrate on the adjustments needed to Belt.

The workshop involves Powerpoint presentations, endoscopic videos, anatomical models and slides. There are application activities and small group practices. There is a chance for individual attention in a master class format at the end of the session.

You may register and pay for the course online at "www.StudioSingSingSing.com"

Feel free to email or  call with any questions : Judith (805) 489-5687

This 2 day workshop will provide CMTs, CMT-Cs, and CCI-Cs an opportunity to meet with Mary McDonald Klimek, CCI with Service Distinction and Vice President of Estill Voice International, for an intensive but informal certification education opportunity.  The program will be tailored to participant interest.  Suggested topics for Q&A include:  in-depth Anatomy, Acoustic Analysis, Estill research questions, the place of physiology in vocal pedagogy, discussion of Key Concepts such as MCVE and free-variance of breath, and Diction at a Distance.

Enrollment will be limited to 20 (the number of people Mary's tables, round and otherwise, will accommodate).  Participants are welcome to arrive in the Boston area on Friday evening; we plan to wrap up early enough on Sunday for people to fly home on Sunday.  It is suggested that Logan travelers take the Logan Express bus to Woburn (an inexpensive and comfortable way to get out and in of Logan Airport).  Depending upon arrival and departure times, there are 2 Klimek vehicles available to assist in meeting transportation needs.  There are several hotels within 2.5 miles of Mary's house offering double occupancy room rates at ~$75 per night. 

Register HERE.

This first-ever North American CMT-CCI Summit will be held over the 2 days leading into the National Association of Teachers of Singing Convention (June 29 to July 3) at the Renaissance Orlando at Seaworld resort.

CCIs will meet in a private session from 1:00 p.m. to 8:00 p.m. on Wednesday.  CMTs & CCIs will gather for a lively exchange of Estill Voice Training pedagogy and practice on Thursday, from 9:00 a.m. to 5:00 p.m. 

We hope that many Estill attendees will remain to participate in the NATS Convention.

Information and links regarding lodging will appear here shortly.

CLICK HERE TO REGISTER ONLINE

In honor of World Voice Day, this workshop will focus on healthy Belting--one of Jo Estill’s major contributions to voice training! The basics of Belt Quality (Cricoid Cartilage Tilt) and some variations will be explored, with an introduction to basic vocal health (False Vocal Folds, True Vocal Folds, and Anchoring). The workshop will include lecture/presentation, group practice, open coaching, and discussion and is appropriate for Estill novices and aficionados alike! Be sure to bring music to sing for open coaching sessions (both days).

This course is for anyone who would like to improve their singing or speaking voice—singers, actors, vocal coaches, drama instructors, Speech-Language Pathologists and other vocal health professionals. 

Level Two combines the Figures from Level One to produce six voice qualities: Speech, Falsetto, Sob, Twang, Opera, and Belting. Figure Combinations for Six Voice Qualities™ offers a clear understanding of the voice’s limitless possibilities, along with how to keep it vibrant and healthy*. Throughout the day, the new voice skills are practiced in small group sessions. There will also be ample time for questions, discussion, and work on individual repertoire or case studies.

CLICK HERE TO REGISTER

*Level One is a prerequisite for Level Two

Course Venue Moved to:
Mt. Lebanon United Lutheran Church
975 Washington Road
Pittsburgh, PA 15228

Level Two Schedule:
March 3, 9:00 - 6:30
March 4, 12:00 - 7:00

What is a level one course?  Participants are introduced to the scientific knowledge and theories that are the foundation of The Estill Voice Model.  It focuses on simple exercises called ‘Compulsory Figures for Voice’ for isolated control of 13 vocal structures that influence voice qualities.  This innovative approach optimizes the study, instruction and rehabilitation of voice.

Who should attend? Actors, singers, teachers, music theater performers, drama coaches, music educators, choral conductors, music ministers,  voice professionals,  speech language pathologists,     anyone who uses and loves the voice will find this course enriching. 

Participants in this course will have supervised practice sessions for the Compulsory Figures and open coaching opportunities to explore the integration of the figures in solo performance, choral, acting and clinical applications.

Visit www.ccschoolofmusic.org to learn more!